Tobias Beiler EDIT Piano and Cello Music for everyone View As Friends Alert Me Contact You are Subscribed! Error or already Subscribed Subscribe Loading... Direct Link To This View API For This submissions You may submit once per week per profile. Select your Profile at the top of the page to see what Songs are available. ​ 100 Submit Song Your content has been submitted An error occurred. Try again later Reviews 100 Submit Review Thank you for your submission! 600 character max Anchor 1

Mozambique 1 2 3 4 5 1 ... 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 ... 100 My Music Spotify YouTube Sound Cloud Apple Bandcamp Audius Quote Author 1 2 3 4 5 1 ... 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 ... 100 Review This Song Rootspence Inspiring People For The Betterment of Their Lives Navigate to... Edit Page Reggae ​ This page has moved to a new location with an updated layout. Please click the button below to be taken to its new location! Go To New Address pagetop More Songs by this Artist Song Title Release Date Artist's music can be found on these Playlists View More Playlist Description

All But Won EDIT ​ View As Friends Alert Me Contact You are Subscribed! Error or already Subscribed Subscribe Loading... Direct Link To This View API For This submissions You may submit once per week per profile. Select your Profile at the top of the page to see what Songs are available. ​ 100 Submit Song Your content has been submitted An error occurred. Try again later Reviews 100 Submit Review Thank you for your submission! 600 character max Anchor 1

The massive giveaway for David Helpling's IN is closing soon on Tunespeak, so enter today! “An ocean of beautiful sounds that reverberate deep within you, sending warm waves of pleasure that gently crash against your soul and bring solace. Deep and intimate experience.” - Takeshi Such are the raves that David Helpling's latest release, IN, is receiving. IN is an epic release, a personal musical mission, and a celebration of collaboration in pursuit of beauty. The music is celebrating (and is inspired by) the vastness of and the wonder found in small spaces, simple and intricate as well as expansive and intimate. Available from Spotted Peccary Music in many formats (2x CD/2x LP/DIGITAL DOWNLOAD/Spatial Audio), the beautiful new double vinyl package is headed to physical retail stores this November for the first time; fans can ask their local music stores to order it for them through MVD distribution. David has created four stunning videos to support and expand upon the album's themes. Watch! ENTER THE GIVEAWAY BELOW, IT ENDS SOON! Win a Double Vinyl of IN by David Helpling + Turntable + AirPods Pro + CDs + T-Shirts + Barware + More Listen & Purchase Digital/CD/Vinyl HERE

Greetings Friends of Blackett Music! There have been many great changes happening lately regarding our business. We thought it best to share some highlights with you via a general update newsletter, which may become a quarterly event as there is so much good news to share. Here are our current top four featured headlines. Business Plan We began by building a brand name around Ben Blackett, social media promotion, and other services for artists (see our origin story). We recognize the desire in the artist community for so much more, and have crafted business strategies around providing a myriad of new opportunities to support your success and growth. One of the biggest drivers of this change has been moving toward a scalable business model. Our new business model prioritizes two things: a general hub for all creatives to use, and a personalized approach to marketing and growth through our Ambassador Program. Doing so honors the roots of the Ben Blackett model, while paving a solid path forward as we grow together. In addition to music, we have expanded into supporting artists of various creative outlets. Since our inception, we observed similar struggles faced by creatives in all industries and communities. We are passionate about broadening our unique set of tools and services - rooted in organic growth and supportive community - to a much wider range of artists in an effort to see them flourish and reach their potential. Our Ambassador Program Excitement was off the charts as we launched our Ambassador Program last week. We are humbled by the overwhelmingly positive response and interest in being part of the Blackett Music Ambassador Team. Preferred, VIP, and Executive level subscribers can now select an Ambassador that suits their particular needs. An Ambassador is there to help the artist get back to doing what they do best - create. This team will continue to evolve over time to best fit the needs of our artists. We are pleased to welcome our newest Ambassadors: Steve Krohn Jeb Deezy Heston Cleveland Pricing Model Updates The opportunities and overall rising costs required a new pricing model to better stabilize our financials. This model focuses on the Artist & Ambassador relationship, anchored in the foundation of our newly redesigned website, and invites deeper engagement in community and marketplace. Keeping our Free tier operational to welcome new artists into our community is still a core value for us. Our four paid tiers - Essential, Preferred, VIP and Executive - are each designed to further elevate the suite of tools and overall artist experience. Existing Subscribers at our previous pricing models will be grandfathered in at the new levels until July 2023, at which time those previous subscriptions will be archived and you will be charged the new rate. For example, the previous $3 Investor subscription will become the new $8 Essential subscription and those at the $10 Promotion will become the new $16 Preferred subscription, at no extra charge now through July 2023. All changes are effective July 1, 2022. Note that only the Preferred, VIP and Executive tiers will be able to take advantage of our Ambassador Program. NFT Marketplace Ok, we buried the lead a bit here. Blackett Music has always strived to bring artists new ways of achieving success. We are excited to announce the Blackett Music NFT Marketplace. NFTs have reached the sophistication and maturity to be taken seriously by artists, fans, and collectors. We love that they represent a vast, untapped reservoir of new financial resources for creatives. Our exclusive NFT Memberships provide access to sell your own digital creations through our marketplace. We are drafting comprehensive How-To guides to help NFT beginners navigate the process. Ambassadors supporting the Preferred, VIP, and Executive level subscribers can help increase your marketing and sales outcomes. You can see we've been incredibly busy behind the scenes, and we have even more in the works. Thank you for being part of the Blackett Music Community!

Do you remember the old Terminator movie? Are we living in Terminator times in the music industry? Nowadays there's AI this and AI that... Even AI based mastering software. Bullsh*t... Music is being made by humans for humans, no algorithm will replace that. Music carries emotions and creates emotions. No computer algorithm will replace that or even come close to understanding what emotions to emphasise in the song to make it work better. No AI based mastering software will come even close to bringing out the feel of the song and creating it. Period. Some popular AI based automated mastering platform shouts on its website: "There’s nothing quite like hearing your song polished and ready for release, and thanks to AI, this can happen in an instant. Using machine learning, genre-specific mastering options ensure your audio files always sound best-in-class, with no need for expensive mastering studio rates or complex audio processing software. Say hello to the future of music mastering." I call it bullsh*t... Here`s why... Mastering for example a very complex operation is probably the most human aspect in audio engineering (apart from production and writing the song itself of course). Mastering is not just slapping a few limiters, pushing the track and calling it a day. Mastering apart from emphasising micro and macro dynamics, preventing the tonal balance of the mix is about psychoacoustic. The way we hear and more importantly feel the song. It's about listening. Mastering is about 70% listening, listening and listening again. Your job is to work on the feel finding little magic bits and bringing them out to work for the song, not against. Loudness always comes second. With AI based software the algorithm picks LUFS target, analise the EQ spectrum and tweaks both to achieve some sort of a match with specific template, Mastering is hard not because it's an obscure part of music production, it's hard because of the level of concentration and attention to details required when listening to the material. Mastering is mostly listening, tweaking hardware gear or plugins is only a small part of it, same as focusing only on the frequency balance and LUFS metering (which can be very very misleading with judging the loudness but that`s another story) Mixing and mastering is not only about technical aspects (although it's still important). It's about the vision and feel of the song. Automated mastering uses AI to simulate the decisions made by a mastering engineer. It’s a computer making its best guess about what to do with your music... yes... best guess... How good can it be? Another thing I would like to mention is that mixing doesn't work on compartments. I`m afraid that all AI based software works like that. Your low end will be right only if your mids and high frequencies will be right. Frequency mirror effect is a real thing, not many realise that working on high end actually has an impact on your low end too. Looking mindlessly at LUFS and/or RMS meter without having your mix well balanced frequency wise and with a good crest factor without huge transient spikes is pointless and useless. LUFS (even integrated) is NOT ultimate loudness guidance. So that proves that all algorithms aiming for specific LUFS while doing automated mastering are not a good idea. Don't get me wrong, this software can be useful for preparing a quick rough mix or preparing a quick reference master. Nothing more in my humble opinion. So... A TRADITIONAL MASTERING ENGINEER WILL ALWAYS BE THE ULTIMATE OPTION. Lucas/LUMIC Studio